The Snow Leopard is an installation constructed from the dates cut out of thirty calendars, each one featuring a different depiction of the natural world. Over the course of four days, a team of assistants and I adhered the dates directly to the wall. The final composition is a singular block of time presented as a kaleidoscopic field of color.

The Snow Leopard is only actualized when it is on display. Because the process prevents the dates from being reused, each version requires new dates. As a result, every iteration of The Snow Leopard is distinct.