The Snow Leopard is an installation constructed from the dates cut out of thirty calendars, each one featuring different commercial depictions of the natural world. Over the course of four days, a team of assistants and I adhered the dates directly to the wall. The final composition is a singular block of time presented as a kaleidoscopic field of color.

The Snow Leopard is only actualized when it is on display. Because the process prevents the dates from being reused, each version requires new dates. As a result, every iteration of The Snow Leopard is distinct.